skip to main |
skip to sidebar
This week I'm finishing a lot of 'phases one' of most of my assignments (that's why there's not as many posts as usual). I measured up some rooms with the carpenter Douglas van Vugt, for new cabinets that I designed for a beautiful old house. Tomorrow I (hopefully) will be finalising the drawings of the house with a new kitchen, first floor and attick, so the contractor Cor from Tools can make his calculations. And today I made the (semi-)final selections of a colour scheme of another beautiful house that was designed in 1921 by architect F.A. Warners.
I made the mood boards last week, and also the first selection of the colours that we will use. Today we went to the house to check the selected colours in the house itself. Because you always have to check if the colours that you select actually fit with the light and athmosphere of the house.
I selected a lot of colours from The Little Greene Paint Company and Farrow & Ball, because they have such beautiful, intense colours and because of their good quality. The price is worth it, and you cover much more square metres with one can than with one of a cheaper brand. I usually buy these paints at De Ru, a paint and wallpaper company that is specialised in the better paint brands. I always have to brace myself a bit before I enter the store, because sometimes they can be a bit patronising, with that typical Amsterdam attitude, but they really know a lot about paint.
While waiting for my prints to be printed at the copy shop, I'm taking a break at T, a sweet little teaplace in the Roeterstraat. Big shame I didn't bring my camera, there's a lot of nice things to see here. But my phone will do.
Yesterday I finally remembered to take pictures of our toilet while the sun was shining. "Why?", you may wonder. Because recently Olga Scholten made some beautiful, funny little drawings in a corner near the ceiling, because I designed a closet for her.
Olga Scholten is a graphic designer based in Amsterdam, and works for several companies like Het Zuiderzeemuseum and Het Concertgebouw. She also make really funny animations, if you have a moment to spare, check her website and play.
Two years ago she was invited by Dave Eggers to be a part of his exhibition at Apexart 'Lots of Things Like This' in New York, and now she's organising an exhibition like that herself with drawings by different artists from all over the world, to open sometime next year.
She also published a book with lovely, poetic and funny (and also sometimes sad) drawings, that you can order through her website.
And she made some cute little drawings with edible ink for some cupcakes for the book Happiness is a Cupcake, that I made with Sanne Dirkzwager.
Happiness is a cupcake set
Stephanie Rammeloo & Dirkzwager, S.



Today I was working on a colour scheme for a beautiful house that a new client bought. I started with collecting images for a mood board, and I refound this beautiful image of a nice, cool and sleek toilet, in an Elle Decor from a year or two ago. The atmosphere would fit nicely in the house, which is already breathtakingly beautiful. But what caught my eye especially was a lovely artwork on the wall by Julie Cockburn.
Julie Cockburn makes touchingly beautiful sculptures and paintings created out of printed image, or books, and other objects she found. Like Plasticine Flowers, from a still life painting, or An Attempt to Copy a Drawing I Made When I was 5 (like the title explains: a drawing she copied, in embroidery). Or, the one that made me curious about the artist, a sculpture of pages of a book, the Keats Flower book. More recent work you can find with Re-Title.
When I'm working on a design for a house, or a cook book, or an interior production, I like to work with mood boards. They they give me inspiration before I start working, they really make me happy and excited about my work when I'm making them, they make sure I stick to the idea that I first have (which most of the times is the best idea) and they give other people a general idea of the direction your working in. Plus they look nice. At home I just stick them to the walls in the spaces that I happen to be working in at that time.
The images are taken by Paul Barbera